We are thinking about the effect of the Trump election on our American theatre.
As we all know, the theatre is an important and powerful mechanism to react to current political environment. As an example, we think a big reason Hamilton has resonated with so many people right now is the current political climate, and the unrest that parallels the unrest that Hamilton saw. Furthermore—and even more directly—there have been a resurgence of WWII plays resurrected around New York City in the months leading up to this election.
These plays included a couple of versions of The Resistible Rise of Arturo Ui by playwright Bertolt Brecht and The Drumf and the Rhinegold by Wagner. You can read more about these in the New York Times (link to full article).
There is no doubt that this is a great time for playwrights to be writing and theatres to be presenting even more plays about the political scene in a more dramatic fashion than newspapers (of course, newspapers are wonderful).
We have always thought of theatre and films as a great means of communicating about the political events of the era.
Philip & Marilyn Langner