Tag Archives: theatre history

A Match Made in Music

Dear Friends,

Today we are writing you about Carousel, which is coming back to Broadway with previews starting February 28th.

Carousel has a fascinating history.

In about 1940, the Theatre Guild decided it would like to make a musical from the play it had previously produced, called Green Grow the Lilacs. They invited Richard Rodgers and Oscar Hammerstein II to write the musical which became, as you know, Oklahoma!.
With the glorious success of Oklahoma!, The Guild wanted Richard and Oscar to write another musical. The Guild examined the previous 50-60 plays it had produced on Broadway. Ultimately, a play The Guild presented in 1922, Liliom by famed Hungarian playwright Ferenc Molnár, was chosen.

The musical, now called Carousel, was acclaimed everywhere and The Guild had another musical hit!

After Carousel, Richard and Oscar wrote one more musical, Allegro, for The Guild, but it was not as well received as Oklahoma! and Carousel. Richard and Oscar were great friends of ours, as were their children. I (Philip) grew up with Mary Rodgers, who was a great long-time friend.

We are so delighted that Carousel, which is being produced by Scott Rudin and Roy Furman, is being presented again next month at the Imperial Theatre. To purchase tickets, click here. It’s a great show!

Best regards,
Philip & Marilyn

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Journey From A Play To A Musical, Part 1

Dear Friends,

Over the holidays, we came across the French movie Liliom on television. The movie was based on the play written by Hungarian playwright Ferenc Molnár in 1909.

Of course, Liliom was not unfamiliar to us—The Theatre Guild brought the play to Broadway in 1921 and in 1945 convinced Richard Rodgers and Oscar Hammerstein II to turn it into a musical, with a notable name change: Carousel.

Carousel has been on our minds lately, as it is coming back to Broadway starring Joshua Henry, Jessie Mueller, and Renée Fleming and directed by Jack O’Brien. Previews begin next month (February 28th) and the musical opens on April 12th.

Carousel

We are so very excited at its return to Broadway at the Imperial Theatre on 45th Street—and we cannot wait to see it!

Tickets are now on sale, which can be purchased in person at the Imperial (249 W. 45th Street) or clicking here.

Stay tuned next week for more history behind the creating of Carousel!

Best regards,
Philip & Marilyn

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Giving Thanks.

thanksgiving

Dear Friends,

This being Thanksgiving week, we are thinking about thanks in the theatre world.

We always felt that the theatre would suffer—and perhaps come to an end—because it is not a mass-production enterprise.  Therefore, it cannot equal automobiles, electric lights, and all sorts of items in our daily lives that are mass-produced by machines.

We have previously told you that in 1943, when we brought Oklahoma! to Broadway, Orchestra tickets were $5.75 each, the equivalent to $81.53 today.  Since currently  Broadway musical tickets are averaging $125.00, it is clear that ticket prices have gone up faster than inflation—although only somewhat faster!

The good news is that all 40 Broadway theatres currently have plays running or will be opening new plays this Spring.  This make us very happy because the fact that plays are not mass-produced has not yet ended the theatre!

We are happy and giving thanks this week to all of those who work hard to make the theatre the success that it continues to be!

Best regards and Happy Thanksgiving!
Philip and Marilyn

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Carousel

Dear Friends,

Hurray!  Rodgers & Hammerstein’s Carousel is coming back to Broadway!

The Theatre Guild originally produced this play on Broadway in 1945–it was the second musical Rodgers & Hammerstein had written for The Theatre Guild.

Carousel was adapted from the play, Liliom, which The Theatre Guild had produced on Broadway in 1921. In some ways we love it even more than Oklahoma! (the first Rodgers & Hammerstein musical The Theatre Guild produced) because the love story in Carousel is so fantastic!
Carousel
We think you will love seeing Carousel (again?) because it has so much to offer!  It will be playing at the Imperial Theatre (249 W. 45th Street). Previews begin February 28, 2018 and it opens April 12, 2018.  To learn more and purchase tickets, click here.

Best regards,
Philip and Marilyn

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Final Chance!

Dear Friends,

Just a reminder that Prince of Broadway will be closing its limited run in only 12 more performances–with its final performance on 10/29/2017!

It showcases the life and times of our dear family friend, Harold Prince, including some of his greatest productions, like:

West Side Story, Fiddler on the Roof, Cabaret, Evita, Company, Follies, A Little Night Music, Sweeney Todd, and The Phantom of the Opera to name a few!

You definitely do not want to miss out on this spectacular show!  Click here for your last chance at tickets!
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Best regards,
Philip & Marilyn

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Theatre History

Hello Friends!

We are very pleased today because Cindy Adams, Page Six writer for the New York Post, was writing an article about Theatre History in the wake of last night’s Tony Awards .

Lo and behold! The Theatre Guild got a nod from Ms. Adams:

1918. Formation of the Theatre Guild. Also, Ibsen’s “A Doll’s House.” That’s 99 years before the Golden’s current occupants grabbed all those nominations for “Part 2.”

Click here for the full article.

99 years!  It’s hard to believe that it’s been nearly a century—and we are very excited about our 100th Anniversary, as there may well be a new commemorative postage stamp similar to the one to mark the 50th Anniversary of our musical Oklahoma!.

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Best regards,
Philip & Marilyn Langner

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Turning A Profit, Jersey Style

Dear Friends,

Several weeks ago, we were telling you about the joys of investing in plays and musicals even though statistically few turn an actual profit (click here to read it again!).

Today we wanted to share with you news about another Broadway hit that did just that: made a profit!  While the production company hasn’t released actual numbers yet, the investors of Jersey Boys (which closed last Saturday, January 14th) reported earning 22 times their initial investment over the last 12 years.

According to the New York Times:

“Jersey Boys” is in some ways an example of how Broadway shows are financed: The industry is rooted in New York, but many plays and musicals have financial backers who live around the world — theater enthusiasts with an appetite for risk and a taste for show business.

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Albeit opening to mixed reviews in 2005, Jersey Boys persevered, won the Tony in 2006 for Best New Musical, and went on to become the 12th longest running play on Broadway to date.

Click here for the full New York Times article on Jersey Boys and their investors.

It could happen to all of us—all we need is a hit!

Best regards,

Philip & Marilyn Langner

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The Power of Theatre

Dear Friends,

Today we wanted to discuss with you an incredible theatre happening that occurred a couple of weeks ago:

It is the conflict between The Theatre, as represented by Hamilton, and the Government-to-be, as represented by Vice-President Elect Mike Pence.

As you all know, Vice President-Elect Pence went to a performance of Hamilton where he was specifically addressed by the cast at the end of the performance (their spokesperson being Brandon Dixon).

Mr. Dixon made a plea to Vice President-Elect Pence–as a representative of our new government starting 20th of January.  The cast requested that Vice President-Elect Pence look out for their interests, aka those of the common people.  While Mr. Pence was walking out of the theatre at the time of the speech, he stopped and listened to what Mr. Harris had to say.

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To us, it is a fascinating happening.  It is The Theatre showing its influence on our world.  Not only in the message that the play itself gives the audience, but in this historic case, the actors themselves sent out a message that was viewed—thanks to social media—all around the world.  Theatres have often had an effect on society in the past, starting with William Shakespeare himself.

Personally, we experienced this in mid-1950s with McCarthyism.  At a time when everyone was afraid of being locked up for being a Communist, Arthur Miller wrote The Crucible, which was set during the Salem Witch Trials but in fact, was the very replica of what was happening in America at that time.  The play was so sensational that Miller was interrogated by the US House of Representatives Committee on Un-American Activities!

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President-Elect Trump’s comments aside, we do hope that Vice President-Elect Pence will take these words to heart.  Not as an attack, but as a plea from those who have real concerns for the ideals and path that the new administration seems to be leading us down in order to “make America great again.”  We have always looked to the theatre to lead in voicing current political concerns and we are very proud of the cast of Hamilton for continuing this tradition!

Best regards,

Philip & Marilyn Langner

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More Farewells.

Dear Friends,

In response to our post about our dear Tammy Grimes, a lovely Theatre Guild subscriber, Ruth—who accompanied us on many of our wonderful Theatre At Sea cruises—wrote about her recollections of Tammy.

We wanted to share these with you because they are so special, and a testament to how much Tammy will be missed.  Thank you, Ruth, for taking the time to share!

Best regards,

Philip & Marilyn

Dear Friends,

Appreciate your post on Tammy Grimes.   I was one of the many shipmates privileged to sail with Tammy Grimes during your many Theatre at Sea sailings.  What lovely days we all enjoyed in her company.   She was indeed all that you say and more.  I was not a celebrity and yet she always greeted me by name with warmth and charm.  Needless to say, I was very flattered and touched by her warmth.

On a personal note, some years ago, we shared the same hairdressing salon which we frequented on the same day.  On one occasion during one of our chats, she spoke of Private Lives and mentioned that she wished she had the playbill.  I told her that I would bring mine, since we were savers.   When we met again, I handed her the playbill.  She was overcome with surprise that I remembered and truly pleased to own it.   I was thrilled to be able to fulfill this request.  Her graciousness and sincerity could not be measured.   As everyone knows, she was not only a lovely lady, but also a great actress.

Sadly, we did not meet again and I soon realized that her health had become a major issue.

Theatre at Sea sailings were indeed special times for everyone.

Sincerely

Ruth

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The Celestials of Broadway

Dear Friends,

We are writing to you today to urge you to go see Lunt and Fontanne: The Celestials of Broadway.

Lunt and Fontanne 2

It is playing at The New York International Fringe Festival 64E4 Mainstage: Venue #11 (64 East 4th Street, between 2nd Avenue & Bowery) for four more performances this month: Wednesday 8/17 at 7pm, Saturday 8/20 at 7pm, Tuesday 8/23 at 2:15pm, and Saturday 8/27 at 4:45pm.

In LUNT AND FONTANNE: THE CELESTIALS OF BROADWAY, Mark E. Lang’s new stage play about the Lunts, today’s audiences get a chance to meet Alfred and Lynn, explore their life on and off the stage, see them perform scenes from their favorite plays– including Shakespeare’s TAMING OF THE SHREW and Molnar’s THE GUARDSMAN; interact with famous friends such as Noel Coward and Laurence Olivier; and share their experiences on Broadway, in London during World War II and on tour.

Alfred and Lynn were very dear to us here at The Guild—they performed in our productions from 1920-1960, with 25 consecutive seasons from 1929-1949!  We are excited that real-life married couple Mark E. Lang and Alison Murphy are portraying these beloved theatre stars and throwing them back into the limelight where they belong.

Click here to purchase tickets or learn more about the play.

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Best regards,

Philip & Marilyn

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